Anouk Aimée – Filmography (Selected & Chronological Highlights)
Anouk Aimée appeared in approximately 70 films between 1947 and 2019, working across France, Italy, the UK, Spain, Germany, and the U.S. Below is a curated, structured list of her most significant and historically recognized works.
Early Career (1947–1955)
These films established her presence and introduced her to European audiences.
La Maison sous la mer (1947) – debut film at age 14
La Fleur de l'âge (1947)
Les Amants de Vérone (1949) – early breakout role
Golden Salamander (1950)
The Curious Adventures of Mr. Wonderbird (1952)
The Man Who Watched Trains Go By (1952)
Contraband Spain (1955)
Rise to International Recognition (1956–1965)
This period includes collaborations with major European directors.
Montparnasse 19 (1958) – notable 1950s performance
The Journey (1959) – Hollywood supporting role
La Dolce Vita (1960) – Fellini classic; role that brought global attention
Lola (1961) – Jacques Demy; major artistic success
8½ (1963) – Fellini masterpiece; acclaimed performance as Guido’s wife
Peak International Fame (1966–1975)
This era includes her most iconic and award‑winning roles.
A Man and a Woman (1966) – global hit;
Golden Globe Award (1967)
Academy Award nomination
Justine (1969)
The Appointment (1969)
The Things of Life (1970)
The Most Important Thing: Love (1975)
Late Career & Award‑Winning Work (1976–1990)
She continued to take on emotionally complex roles.
Salto nel vuoto (Leap Into the Void) (1980) –
Best Actress Award, Cannes Film Festival
A Man and a Woman: Twenty Years Later (1986)
Later Work (1991–2019)
A mix of European films, retrospectives, and final screen appearances.
La Petite Apocalypse (1993)
Festival in Cannes (2001)
The Best Years of a Life (2019) – her final film, reuniting with Claude Lelouch and Jean‑Louis Trintignant
Summary of Career Significance
70 films across seven decades
Major collaborations with Fellini, Demy, Lelouch, Bellocchio
Awards include:
Golden Globe (1967)
Cannes Best Actress (1980)
Oscar nomination (1966)
Her filmography reflects a career defined by emotional subtlety, European modernism,
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