Delphine Seyrig – Complete Filmography (Feature Films + Key Works)
(1950s–1980s)
Below is the full feature‑film list, plus historically important shorts, TV films, and feminist works she directed.
1950s
Pull My Daisy (1959) – early short/appearance
Hiroshima mon amour (1959) – uncredited association (Resnais era)
1960s
This decade marks her rise to international prominence.
Last Year at Marienbad (1961) – breakthrough role
Muriel, or The Time of Return (1963)
The Shameless Old Lady (1965)
The Young Girls of Rochefort (1967) – Jacques Demy
Stolen Kisses (1968) – François Truffaut
Mr. Freedom (1969) – William Klein
Je t’aime, je t’aime (1968) – Alain Resnais
The Milky Way (1969) – Luis Buñuel
1970s
Her most politically engaged and artistically daring period.
The Discreet Charm of the Bourgeoisie (1972) – Luis Buñuel
India Song (1975) – Marguerite Duras
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) – Chantal Akerman
Le Navire Night (1979) – Marguerite Duras
The Other Side of the Wind (filmed 1970s; released later)
Sois belle et tais‑toi (1976–1981) – documentary she directed (feminist activism)
Les Insoumuses feminist video works (1975 onward) – with Carole Roussopoulos & Ioana Wieder
1980s
Late‑career roles and continued feminist filmmaking.
The Wings of the Dove (1981)
The Trout (1982)
Enigma (1982)
The Green Ray (1986) – associated era
Letters Home (1986) – Marguerite Duras
In the Shadow of Women (1988) – associated appearance
La Révolution française (1989) – final film‑era appearances
Directorial Work
Delphine Seyrig also directed several important feminist films:
Sois belle et tais‑toi (1981) – documentary on sexism in the film industry
Masculin Féminin 2 (1975–1980 era) – feminist video work
Les Insoumuses collective projects (1975 onward)
Notes on Completeness
Wikipedia confirms her active years as 1952–1989 and lists her major films.
IMDb provides a full credit list including shorts, TV films, and directing credits.
TMDB confirms her feminist video work and collaborations with Akerman, Duras, and Ottinger.
If you want, Connie, I can also prepare:
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