roscoe Fatty Arbuckle Films

 

SURVIVING ROSCOE “FATTY” ARBUCKLE FILMS

(Based on the best‑documented archival sources; survival status varies.)

KEYSTONE ERA (1913–1916)

Many survive; several are fragmentary; some are lost. Notable surviving titles include:




  • Fatty’s Plucky Pup

  • Fatty’s Tintype Tangle

  • Fatty and Mabel Adrift

  • Mabel and Fatty’s Wash Day

  • Fatty’s Reckless Fling

  • Fatty’s Chance Acquaintance

  • Fatty’s Faithful Fido

  • Fatty’s New Role

  • Fatty’s Spooning Days

  • Fatty’s Suitless Day

  • Fatty’s Wine Party

  • The Knockout (with Chaplin)

  • The Rounders (with Chaplin)

Partially surviving / fragmentary:

  • A Flirt’s Mistake

  • Fatty’s Finish

  • Fatty’s Gift

Lost: Several early Keystone shorts are missing entirely.

COMIQUE ERA (1917–1920)

This is the best‑preserved period, thanks to Buster Keaton’s involvement and later rediscovery efforts.

Surviving (complete or nearly complete):

  • The Butcher Boy (1917)

  • A Reckless Romeo (1917)

  • The Rough House (1917)

  • His Wedding Night (1917)

  • Oh, Doctor! (1917)

  • Coney Island (1917)

  • Out West (1918)

  • The Bell Boy (1918)

  • Moonshine (1918)

  • Good Night, Nurse! (1918)

  • Back Stage (1919)

  • The Hayseed (1919)

  • The Garage (1920)

Partially surviving:

  • The Cook (1918) — incomplete but significant portions survive.

FEATURE FILMS (1918–1921)

Arbuckle’s features survive unevenly; some complete, some fragmentary.

Surviving or partially surviving:

  • The Round-Up (1920) — survives

  • The Life of the Party (1920) — survives

  • Brewster’s Millions (1921) — survives

  • Leap Year (1921) — survives (released abroad; rediscovered later)

  • Gasoline Gus (1921) — survives

  • The Traveling Salesman (1921) — survives

Lost or fragmentary: Some features exist only in incomplete form.

POST‑SCANDAL SHORTS (as “William Goodrich,” 1924–1932)

Arbuckle directed under a pseudonym; many of these films survive, though scattered across archives.

Surviving titles include:

  • Curses! (1925)

  • My Old Kentucky Home (1926)

  • The Red Mill (1927, director)

  • Special Delivery (1927, director)

  • The Carnival Girl (1926)

  • The Iron Mule (1925)

LATE CAREER (1932–1933)

Arbuckle returned to the screen shortly before his death.

Surviving shorts for Vitaphone (ALL survive):

  • Hey, Pop! (1932)

  • In the Dough (1932)

  • Buzzin’ Around (1933)

  • How’ve You Been? (1933)

  • Bridge Wives (1933)

  • Tomalio (1933)

These are complete and widely available.

SUMMARY

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